Mia
Melvær (Stavanger, Norway) is a visual artist and researcher based in
Brussels, whose work often reference moments of fishing or searching
for small fragments, kinder technologies, casting nets or networks
and giving weight to something that might easily drift. The work is
made using manual scanning and printing methods, such as wood
block printing, carved sculptures and paintings with various tracing
techniques. Additionally, as
a ‘content member’ of the Brussels based organisation Constant, she does artistic research that looks critically at technologies through the lens of art and feminisms.
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A recurring theme in the work is how our collective memory gets created through the material we collect and reference to in order to tell our stories. Whether the aim of collecting these fragments is to piece together something that has happened in the past, or that of a possible future. The use of obfuscation or slight chaos points the focus more towards the mass of a collective movement rather than displays that highlight individual narratives.